La Trouvaille – Blogs & Bücher

Philipp Theisohn: Plagiat. Eine unoriginelle Literaturgeschichte.

Stuttgart: Kröner, 2009. Leinen, 577 Seiten.

Philipp Theisohn, geboren 1974, Oberassistent an der ETH Zürich.

Kapitel XIV. Copy/Paste: Das Plagiat als digitaler Schatten – p. 518 ff.

„Irgendetwas hindert die Menschen in zunehmendem Maße daran, selbst zu schreiben.“ (Plagiat, p. 519)

http://de.wikipedia.org/wiki/Docuverse

Als Docuverse bezeichnet Ted Nelson die elektronische universale Bibliothek, die durch einen Hypertext wie Xanadu entstehen soll; die zahllosen Dokumente sind zwar verteilt gespeichert, aber miteinander verbunden, so dass ein Metadokument entsteht:

“Literature is an ongoing system of interconnecting documents” (Ted Nelson)

Er sieht sich selbst wie auch das Xanadu-Projekt dabei als “Literary Machines”; das Docuverse-Paradigma wurde jedoch nicht in Xanadu umgesetzt, sondern – mit einigen funktionalen Abstrichen – im World Wide Web, das in vielen Aspekten den Gegenentwurf zum Druck-Paradigma bildet.

Literatur

• Theodor Holm Nelson: Literary Machines. Eigenverlag 1987. ISBN 0-89347-055-4. Mindful Press 1992 (Distributed by Eastgate Systems Inc). ISBN 0-89347-062-7.

• Hartmut Winkler: Docuverse. Zur Medientheorie der Computer. 380 Seiten. Boer Verlag 1997. ISBN 3-924963-84-3 (Dieses Buch steht nur im geringem Zusammenhang zu Ted Nelsons Docuverse; Buchbeschreibung, Rezensionen, Gliederung, Leseprobe, Kritik)

http://de.wikipedia.org/wiki/Geert_Lovink

http://en.wikipedia.org/wiki/Wetware_%28brain%29

http://en.wikipedia.org/wiki/Charles_Clark_%28publisher%29

Charles David Lawson Clark (12 June 1933 – 6 October 2006) was a British publisher and lawyer, who was an authority on the law of copyright.

Life:

Clark was born in London and studied at Edinburgh Academy before reading law at Jesus College, Oxford. He was an editor for the legal publishers Sweet and Maxwell and was then called to the bar by Inner Temple in 1960. He then worked for Penguin Books, commissioning various titles on the “Pelican” list and the New Penguin Shakespeare. He was appointed managing director of Penguin Education in 1966, and also of Allen Lane/Penguin Press (which printed hardback books) in 1967. He then moved to Hutchinson as managing director, succeeding Sir Robert Lusty, then became chairman, with authors including Frederick Forsyth and Anthony Burgess.[1]

He assisted the Publishers’ Association with its submissions to the Whitford committee on copyright law, which led to the Copyright, Designs and Patents Act 1988. He became legal advisor to the Association after leaving Hutchinson in 1984, working with copyright issues at national and international level (including the consequences of European legislation such as extending copyright from 50 to 70 years after the year in which the author died, and of membership of the World Trade Organisation. He was concerned to ensure that there was a fair system of remuneration for authors and for publishers. He helped establish the Copyright Licensing Agency in 1983, acting as its legal adviser until 1999. He also worked for the Federation of European Publishers and International Publishers Copyright Council on copyright matters, and was general editor of Publishing Agreements: a Book of Precedents (1980). Other work was published under the title The Answer to the Machine is in the Machine and Other Collected Writings (2005). His knowledge of copyright law led to him being described by Mark Le Fanu, of the Society of Authors, as “the peer of contracts experts, Lord Clark of Copyright”.

http://www.wired.com/wired/archive/2.03/economy.ideas_pr.html

The Economy of Ideas
A framework for patents and copyrights in the Digital Age. (Everything you know about intellectual property is wrong.)

By John Perry Barlow

Ja, ja .. hier ist mir die Luft ausgegangen beim Exzerpieren ..